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IRELAND'S FIRST EVER

HIGHLIGHTING NEW TECHNOLOGIES FOR A CHANGING GLOBAL MUSIC INDUSTRY

IN ASSOCIATION WITH

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18 - 19th APRIL 2018

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JIMMY CHAMBERLIN
Co-Founder & Drummer | THE SMASHING PUMPKINS, Speaker DTS17
If you look at Facebook, Twitter and those types of companies, they all have the same kind of components that a hit song would have: they have rhythm, they have a narrative, they have harmony with their culture, they have verse and chorus, and they have hooks that keep people coming back.
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PATRICK CLIFTON

Head of Artist & Label Relations | AMAZON MUSIC

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JAMES COOPER

Head of Synch & Creative Licensing | SONY/ATV MUSIC PUBLISHING

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WILL NICHOLS

Head of Content | THE FIREPIT

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KEN UMEZAKI

CBO | DOT BLOCKCHAIN MUSIC

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KARIM FANOUS

Innovation Manager | ABBEY ROAD RED

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JOE LYSKE

CEO & Co-Founder | MXX MUSIC

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BRIAN CROSBY

Co-Founder CARAVAN MUSIC | Director IMRO

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GEORGE WRIGHT

CEO & Founder | VOCHLEA

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GOLAN SHAKED

CMO/CCO | DEEZER

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TIM MILES

Director of Sync | WARNER MUSIC

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SCOTT COHEN

Founder & VP International | THE ORCHARD

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STEPHEN O'REILLY

Head of Marketing | IE:MUSIC

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CLIFF FLUET

Partner | LEWIS SILKIN

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JORDI PUY

Chief Strategic Officer | SOUND DIPLOMACY

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JOEL DINERSTEIN

Author | THE ORIGINS OF COOL

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DIARMUID MOLONEY

CEO | ROTOR VIDEOS

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NICK NM YAP

Founder | VOLAREO

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NIAMH BYRNE

Founder | ELEVEN MANAGEMENT (GORILLAZ, BLUR)

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DAVOR KRVAVAC

Executive Creative Director | B-REEL

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CARLOTTA DE NINNI

Head of Research | MYCELIA

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MUKI KULHAN

MD/Executive Digital Producer | MUKI INTERNATIONAL

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SINEAD TROY

CEO | YANGAROO MUSIC IRE

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RUSSELL SHEFFIELD

CEO | TRIDENT CLOUD/TRACKD

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HELEN SARTORY

Musician | ANDRODES

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RORY CONNOLLY

Editor, Digital | BBC MUSIC

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RYAN O'SHAUGNESSY

Musician

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ISABEL GARVEY

Managing Director | ABBEY ROAD STUDIOS

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OISIN LUNNY

Chief Evangelist | OPENMARKET

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SIMON WHEELER

Director of Digital | BEGGARS GROUP

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GÖRAN ANDERSSON

Founder | GA & SF, Limited

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DREW YOUNG

Music Strategist SAZERAC/SOUTHERN COMFORT | US Consultant SOUND DIPLOMACY

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DIETER BROCKMEYER

Chairman | DC GLOBAL MEDIA FORUM

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INDERJIT BIRDEE

Head of Strategy | AI MUSIC

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TOM WATTS

Founder | SOUNDOME

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DAMIAN McGARRIGLE

Sr Digital Account & Playlist Manager | SONY MUSIC

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JACKIE WILGAR

SVP Marketing - International | LIVE NATION

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JASON BOLAND

Musician | KODALINE

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LORY KEHOE

Partner | CONSENSYS

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SETH JACKSON

CEO | LANDMRK

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SYD LAWRENCE

CEO | THE BOT PLATFORM

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EMERALD DE LEEUW

Owner SCORPIO PRODUCTIONS | Consultant SOUND DIPLOMACY

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TAMER RASHAD

Founder & CEO | HUMTAP

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ADAM BALDERSTON

Head of Marketing | PIRATE STUDIOS

Explore how technology is changing the music industry
and how we can use music experiences to enhance our lives.
Discover the influence it has on our behaviour, the rise of
Artificial intelligence and the next generation of instruments.
And at all times we’ll ask the question, at what point is tech liberating
and at what point will we lose control?

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Music has tremendous influence on our behaviour and wellbeing. Explore how our psychological responses to music and our related behaviour is changing how we consume it.
Music has tremendous influence on our behaviour and wellbeing. Explore how our psychological responses to music and our related behaviour is changing how we consume it.
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Streaming services use machine learning and AI to simplify our discovery of new music. Although it is a useful addition to our user experience, to what extent is it removing control of our conscious choice of consumption?
Streaming services use machine learning and AI to simplify our discovery of new music. Although it is a useful addition to our user experience, to what extent is it removing control of our conscious choice of consumption?
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How can fans and the music industry handle payments more efficiently? Will cryptocurrencies have a breakthrough in simplifying purchases? What potential have blockchain technologies
to cater for new payment distribution models?
How can fans and the music industry handle payments more efficiently? Will cryptocurrencies have a breakthrough in simplifying purchases? What potential have blockchain technologies
to cater for new payment distribution models?
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Technology is disrupting the music industry and is changing how both labels and artists have to navigate a new and constantly changing landscape of revenue generation. Where does this shift come from, what is the audience’s money spent on and
what are the next big channels that deserve a closer look?
Technology is disrupting the music industry and is changing how both labels and artists have to navigate a new and constantly changing landscape of revenue generation. Where does this shift come from, what is the audience’s money spent on and
what are the next big channels that deserve a closer look?
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With new technology emerging on a daily basis, this creates higher expectations and possibilities to enhance the audience experience. In a more and more visually dominated world, user interfaces will become more simple yet multi-functional, artwork has to
transcend its two-dimensional state and video will give way
to more life-like scenarios.
With new technology emerging on a daily basis, this creates higher expectations and possibilities to enhance the audience experience. In a more and more visually dominated world, user interfaces will become more simple yet multi-functional, artwork has to
transcend its two-dimensional state and video will give way
to more life-like scenarios.
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Parts of autonomous music education are hugely influenced by learning through colours using Augmented Reality, which is based on synaesthetics; seeing music as colours. Can Virtual Reality be even more immersive by skilling up through actual movements and feedback?
Parts of autonomous music education are hugely influenced by learning through colours using Augmented Reality, which is based on synaesthetics; seeing music as colours. Can Virtual Reality be even more immersive by skilling up through actual movements and feedback?
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While the safe harbour law was created to spark the internet age, has it led to the destruction of the creative arts industry? A change in this law might drastically restrict artists free promotional reach. What is the bigger gain for the artist,
royalty payments or exposure?
While the safe harbour law was created to spark the internet age, has it led to the destruction of the creative arts industry? A change in this law might drastically restrict artists free promotional reach. What is the bigger gain for the artist,
royalty payments or exposure?
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Discover how virtual instruments, recording studios and Brain Computer Interfaces give access to a whole new world of
creativity and collaboration. But do they distance us
from the physical world and actual skills?
Discover how virtual instruments, recording studios and Brain Computer Interfaces give access to a whole new world of
creativity and collaboration. But do they distance us
from the physical world and actual skills?

For decades, the music industry has imprisoned both fans’ and artists’ experience of music.
For decades, the industry has controlled who gets heard, where gigs happen and who ‘makes it’.
The shackles have stifled creativity, crushed enjoyment and hampered fulfillment.

The rise of technology has liberated us and shaken up the old system,
but is the machine now taking over by playing into our psychology?

It’s now time to break free from the chains and take control of
our own experiences.

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